Friday, February 23, 2007

Posing in tango

This is really a reaction to the comment on my private ´tango nirvana´ theory... there is an important aspect of tango that I have omitted here, but which in my opinion is essential for understanding the tango dancers´ psychology; a sort of a strange dichotomy which probably exists in other dances as well, but is very pronounced in argentinian tango:
On the one hand, we dance tango strictly for ourselves and our partner, a good tango being a very intimate matter between the two dancing partners, an intense personal experience so to speak, which has nothing to do with a show, or a performance for others to look at. On the other hand, though, we also all dance to be seen - hence the shoe fetishism, the motley of different looks you will encounter at a milonga, the way of dancing itself - it is hard to imagine that any dancer, no matter how good they may be, would pay no attention to the image they project. There are always crowds of spectators at any milonga, and the dancers concentrate on themselves and their partner while being at the same time very conscious of being watched. Sounds pretty schizophrenic when put like this, but... Also, women will close their eyes and concentrate fully on the dance and the language of their partner´s body, but they will have carefully chosen their shoes and clothes so as to enhance the effect of their dancing moves. Not to speak of the various dance embellishments... And then of course there are those people who come to milongas ostentatiously NOT dressed-up (such attitude should be combined with high-level dancing skills though, in order to achieve the desired effect).

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